iJustine shows us the etiquette of the future – Mobile Manners

In a world where information is now available wherever you happen to be – on the bus, in a coffee shop, in a park – surely there’s now a need to lay down the rules on a new set of etiquette, “Mobile Manners” as iJustine calls it. Do you look over someone’s shoulder and peer at their screen in a coffee shop…? Shame on you…

This is video #1. I assume there’s more to come.

Add comment 17 June, 2009

“Planners Favourite” – LBP & Sackboy?

I was reading the Google Barometer last week and had a look at the “Planners Favourite” award, as judged by David Benson from ZenithOptimedia. Great insights into 3 campaigns – Nike Five, Wolverine film launch (from 20th century fox) and Sony Playstation’s Little Big Planet.

His insights start with Nike, and a note on how they leverage their stars into great events, taking new twists on old methods (possibly reference to the ladder system adopted in the tournament). He then goes onto the content – “Large amounts of average footage, shot in the mandatory “urban” grainy style, draw a few comments and the odd flame but little continuity. It feels strewn across the Internet existing in YouTube and on Nike.com without either seeming like its true home.”

I’d say the part about Youtube & Nike.com is probably true, which one is the true home? However, that could be said about any campaign which uses a brand site alongside a Youtube channel – the fact is, who needs a “True home” when Web 2.0 (or even 3.0) allows people to consume content in any way they choose? I think the need for a “True home” is obsolete, especially when it comes to content.

He also thinks there’s little continuity to the “average content”. A simple look at the content shows how it’s split out – Each region has one film in the local heats. Then each region has one film at their City Final. Wow. Maybe Nike should have numbered them, for Dave.

Onto Wolverine. He appreciates the difficulty of launching films, as you need to generate all the buzz and excitement in about 1 week, and he liked the way they avoided the use of  ”endless sneak peaks, Easter eggs and a Wolverine app”. So what did they do? “The biggest Youtube Homepage takeover ever”.

To me, I always wonder about the point of doing “clever” campaigns to launch films. You’re either excited about Wolverine being released (i.e. you watched 1 of 3 X-men films), or you’re not. There’s some floating voters in the middle, who might be holding back their £9 for the Star Trek release, but I’m not sure how, what is effectively a trailer, will persuade someone to go and watch the film (over something else they’ve chosen to see). Seems like simple reach to me. Good use of research though, as to whether these things actually work is another issue.

Onto Little Big Planet, the eventual winner. I’m puzzled as to what he likes about this campaign. It’s a “contest” in it’s truest form – enter the video of your custom level (a feature which is embedded into the game), and you win a trip to somewhere in the world. Genius. You see, it’s called Little Big Planet….

To me this campaign taps into what’s already there with people – a passion about gaming and a willingness to talk and share their gaming prowess / skills. People do this already, I’ve worked on enough gaming launches to know that. Offering a platform on which to do this is commendable, but not ground breaking.

Dave says LBP was a “quiet revolution in gaming”. Was it? The google barometer said LBP was backed by a “considerable marketing push”. It was everywhere – they must have spent millions, and good on them. Sackboy was pretty much made into a celebrity in his own right. The aim of the campaign was to prolong the sales curve, hence why they created the contest to run a few months after launch. However – does this prolong the sales curve? It seems to appeal to people who own the game already – so surely it must rely on creating amazing videos that will entice the non-LBP fan to go out and buy the game? Erm, it doesn’t. The entries are dull, as you would imagine! And the people who comment are owners of the game, appreciating the complexity of these levels from the people who created them. A great thing to have, but not fulfilling the sales curve objective in my eyes. More enhancing the community aspect of the game.

My very last point is Dave’s last point – and I quote – “15,000 subscribers vs. the mighty Nike’s 10,000 says it all”.

Nike increased their subscriber base from 6,000 (in Feb) to 10,000 (in May) by – again, in my opinion – creating engaging, short form content which followed a continuous story following an event. They created a Video Masher for users to cut their own highlights, and created an online appointment to view – true innovators of the online world, and something people sign up to (both literally and from a brand pov).

Little Big Planet took their subsciber base from Zero (in Feb) to 15,000 by around April, by – incentivising users to subscribe by offering a T-shirt and a Sackboy toy? Wow, that’s genius! A bribe.

What do I think will happen? I think Nikefootball will continue to grow as a channel, by providing a constant stream of content, not based on campaigns or competitions, but as a brand that always has something to say. Content always wins.

Add comment 8 June, 2009

No-one’s safe from swine flu…

Not even Pooh Bear. In fact, especially Pooh Bear. If anyone’s NOT safe, it’s him.

pooh

Add comment 30 April, 2009

He really did. Walliams had a go at my flatmate…

Ok, here goes. David Walliams had a go at my flatmate. It’s a mildly amusing story, and goes like this:

"Stop laughing at me!!"

One summer afternoon, my flatmate is working his last day at an old employer. Walking back from lunch, my flatmate and a colleague known in this story as 4 foot baby (4FB) spot David Walliams standing outside Pret, probably minding his own business (although he might have been causing trouble, I don’t know, I wasn’t there).

4FB bets flatmate he won’t pinch DW’s bum for a fiver. Now, after a 2 hour lunch and 5 pints of guinness i’m sure you’ll agree this is a no-brainer. So DW’s bum is pinched, flatmate skips (or scuttles) 50 yards to the office, which is where the video begins.

First: flatmate tells receptionist about funny story of the time he pinched Walliams’ bum. Next: Walliams rudely interrupts his funny story with a “tirade” (more of a short rant) about how this is obviously unacceptable, not funny (he should know, Little Britain USA was AMAZING… :-s) and plain rude. 

Cue apologetic flatmate explaining it was a joke (and probably not disclaiming it was for a measely fiver). 

Walliams leaves, flatmate laughs (probably a smidgen too soon), before Walliams storms back in (check it out, he really does STORM!) shouting “Stop laughing at me! Just because i’m famous you can’t just pinch my bum… etc etc”.

Everyone tries to calm him down, he’s clearly per-turbed by such unwanted attention, and offended that anyone would dare laugh at him. Shocked onlookers look-on, receptionist answers a couple of calls, random visitor on the right, well she doesn’t do anything (did not one of her senses pick ANYTHING up?).

Connaisseurs amongst you will notice 4FB offer over the bet money when DW leaves. He never got the fiver.

Courtesy of myself, and the much-maligned-but-misunderstood-CCTV…

7 comments 17 April, 2009

A new way to stalk celebrities

You could call it “opt-in” stalking, as Slashfilms have published a nice long list of Directors, Screenwriters and Actors to follow on Twitter. There’s a lot of debate too, from the úber-celebrity stalker to people just saying “why?”. It’s a bit like following Tim Westwood, it’s amusing at first, but his updates get more and more tedious by the second. 

Twitter seems like it’s in the typical cycle – everyone goes crazy, it’s the latest fad, but over time I’m sure people will stop following 1,000+ people, and start “pruning” their lists to seive out the useful stuff.

Until that happens, let’s all go nuts and follow Kevin Spacey and friends…

Kevin Spacey - American Beauty, LA Confidential, The Usual Suspects
Demi Moore - Ghost, A Few Good Men, G.I. Jane, Striptease
Russell Brand - Forgetting Sarah Marshall, Get Him to The Greek
Mischa Barton - The O.C., Assassination of a High School President
Judd Apatow - 40 Year Old Virgin, Knocked Up, Funny People

That’s a very small, and random selection. Full list is here. I’m assuming you’re all friends with Stephen Fry already.

Ironic at time of posting – Kevin Spacey’s latest tweet: “About to do WPIX Channel 11 Morning News in NY. For those of you up and interested.”

I’m up, but not interested.

Add comment 7 April, 2009

118247 Yell Ad, another online inspired creation

I’m sure most people have seen this ad breaking recently, a catchy little tune and a fun animation to explain yet another 118 number service (OK, I know yell.com is probably one of the biggest and its been around for ages).

A (slightly) lesser known fact is that the Ad is complete copy of Magical Trevor, a pretty old school animation from Mr Weebl, who created weebl and bob, the badger viral and, well, Magical Trevor. 

Will the Ad achieve more Youtube views than Magical Trevor? It has a way to go yet, but Yell have put a Youtube campaign behind the Ad. On the channel they challenge people to see if they can “out-rhyme us” and the description of the ad says “think you can do better?”. I’m yet to see any actual mechanic to do this, other than the video response function – which 5 people have done already.

They’ve also made quite a point of saying “you either love it or hate it”, to the point where their website even has a Love or Hate option. 81% love it. Do 19% actually hate it? It’s not exactly Marmite, maybe 19% of voters are die-hard Magical Trevor fans.

Have a look for yourself – Top one is Trevor, the bottom one is the ad. Nice bit of trivia is that Trevor is in the ad, waiting for his curry…

Ad:

1 comment 6 April, 2009

Disney sign “landmark” deal with Youtube

According to BBC Newsbeat (I know, why not just BBC?) Disney and Youtube have struck a “landmark” deal to allow Youtube to distribute Disney’s ESPN Sports channel and other TV shows for the next couple of months.

Disney said the deal allows them ”the opportunity to reach a broader, online audience as well as extend the reach of our advertisers”.

Or, “we’re not making enough money from TV ads, and youtube have agreed to go halves…” [this is not a quote from disney].

I’m off to think about why this deal is landmark. Here’s the newsbeat story

Add comment 2 April, 2009

Sony Bravia Ad “Trailer” on Youtube Homepage

New “Trailer” for the latest Sony Bravia Ad. Not sure how great it’s going to be, and ironically on my non-200hz screen it’s probably going to rather unimpressive (from a technical point of view).

They kicked off today with a Youtube homepage takover – another irony, seeing as Youtube is well known for not being the highest quality video player, but a huge reach-driver all the same.

Also in the Brandrepublic story for this they (“they” might not actually be Sony) claim it’s the “first homepage takeover on Youtube in the UK”. Hmmm… Barclaycard? Nike? Umbro? Quantum of solace? Perhaps 5th.

See what you think of the video – have they teased enough for people to be excited about the full length ad? Should people be excited?

Add comment 1 April, 2009

The confusion of changing the clocks

Nice piece on the confusion surrounding the clocks changing by Smivadee. It really is one of those confusing times where complete idiots don’t know what to do… like when facebook changes. First denial, then blind anger, then resigned acceptance, then we’re done.

This was one of the first ever “Spotlight” videos now introduced on Youtube. I was confused too, until I read their blog. It’s like a better version of a “Feature”. But now features sound a little rubbish.

Add comment 30 March, 2009

Grooveshark. Listen to music online. Very nice.

I just wanted to share a pretty cool site called Groove Shark. Listen to music, for free, some very limited Ad-action going on (unlike spotify) and a pretty vast catalogue of songs, including loads of Beatles. Hence the embedded widget below. It’s got some serious widgety (may not be an actual word) features, and you can post, embed, even tweet your songs through the site.

Back to this song – it was written while the Beatles were on one of their visits to Indian / Nepalese retreats, and a friend of the band was so high and tripping out so badly she refused to leave her room for days. In fact, the entire White album was written out there. And it sounds like it. But that’s why I like it…

1 comment 23 March, 2009

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